The Runestone Styles

In the same series:

 

The Runestone Styles

 

The Styles

• Introduction
• Birds-eye-view
• Profile 1
• Profile 2
• Profile 3
• Profile 4
• Profile 5

 

The Stones

• The Hunnestad Monument
• The Eastern Route Stones
  • The Ingvar Stones
• The Broby Stones
• The Sigurd Stones

 

 

 

Introduction

 

 

Please note: This series of articles is a work in progress.

 

 

 

 

In the video above you’ll get a introduction to the development of animal heads in Late Viking age art and how their features change over time, from the Jelling style to the Urnes style.

 

The development of the features is documented on the many runestones and on them we can trace how the characteristics of the art evolved from Late Mammen style to Late Urnes style.

 

The development can be categorised into five stylistic groups or stylistic periods, called Pr1 to Pr5.

 

 

 

 

Stylistic Groups

 

• RAK — Unornamentet runestones
• B-e-v — Pertaining to Pr 1 & Pr 2 (c. 1010 – 1050)
• Pr 1 — Ringerike style proper (c. 1010 – 1040)
• Pr 2 — Late Ringerike style (c. 1020 – 1050)
• Pr 3 — Early Urnes style (c. 1045 – 1075)
• Pr 4 — Urnes style proper (c. 1070 – 1100)
• Pr 5 — Late Urnes style(c. 1100 – 1130)

 

 

Parametres of Identification

 

• Overall impression
• Head
  • Eye
  • Ear
  • Mouth
  • Tail
  • Feet
• Layout
  • Additional serpents
  • Union Knot
  • Cross

 

 

Sources

 

Danske Runeindskrifter, Nationalmuseet in collaboration with Nordisk Forskningsinstitut
Københavns Universitet, runer.ku.dk

Gräslund, Anne-Sofie, 2006. ‘Dating the Swedish Viking-Age rune stones on stylistic grounds’. Runes and their Secrets – Studies in runology.

The Scandinavian Runic-text Data Base, Uppsala Universitet, nordiska.uu.se

Sveriges runinskrifter,  Riksantikvarieämbetet, raa.se